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Refitting the cases with mirrors and neon light, Navarro transforms these static objects into deep spaces that appear to reverberate in perpetuity.

A similar emphasis in color is seen in Acrylic No.

Light graphite lines surround or connect points of color of various densities, colored ovoid forms — flat or on lacerated paper — are interconnected — the paper erupts and spumes like foam.

During the 1990s, a generation of younger artists embraced the concept of storytelling to articulate the politics of identity and difference, investing both abstract and representational forms with narrative content.

I ask you to search your memory for a time that you, as a viewer, experienced a work by an artist you did not know, yet you sensed an inexplicable vibration.

Indigenous Boy — Jason Cavalier• The functional articulation of these materials is a comment on the historical distance between different artistic practices.

In retrospect, it makes sense to me.

This concept brought me to intervene staircases, landing platforms and outdoor walls and objects.

Luc Tuymans, himself a figurative painter who constantly seeks to extend the traditional boundaries of his practice, has specifically selected these artists for the individual nature of their practice and the paradoxical way each of them uses their medium.

The irregular circles that appear in the Transparencies 2015 of Alfredo Ceibal have their origin in the craters of volcanoes and the lakes that form inside them.

Still, except a few exceptions like Gego, Lygia Clark and Lygia Pape, it is mostly male artists we see represented in museums and art history books.

The intervention transforms the exhibition space into a machine to produce and display an exercise about repetition and time.